Death Becomes Her: A Century of Mourning Attire at the Metropolitan Museum of Art

Death-Becomes-Her-

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Mourning practices during the 19th century were more than a private grievance, they were a public ritual upholding status through fashionable style. Curated by the Costume Institute, Death Becomes Her: A Century of Mourning Attire examines the aesthetic convergence of customary black mourning attire with the stylish trends of the day.

The burden of mourning fell mostly on women as men were expected to upkeep economic responsibilities. As a result the majority of the 30 looks on view are examples of upper to middle class women’s wear. Exhibited chronologically on a central stage in the Anna Wintour Costume Center, bright spotlights highlight the multiple layers of textured fabrics used to skillfully craft a dutiful yet fashionable ensemble. Projected onto the surrounding walls are anecdotes from diary entries, fashion magazines, and other historical documents contextualizing the ensembles with personal narratives.

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Richard Prince: Old selfies are “New Paintings” at Gagosian Gallery

One of my favorite selfies I took at the Jeff Koons show at the Whitney

One of my favorite selfies I took at the Jeff Koons show at the Whitney

Read this review on Metro New York

Download the PDF of this Metro review here

Appropriation artist Richard Prince is back at his controversial antics again with a series of “New Paintings.” Well, they’re “paintings” in that they’re ink-jet prints, and they’re “new” in that these are Instagram photos taken by other people. If the sheer absurdity of seeing the best selfies of everyone’s favorite social-media app in an art gallery is not enough, here are three other reason you cannot miss “New Paintings.”

For the rousing debate of Contemporary Art

These paintings are not strictly a product of Prince’s artistic genius. The “New Paintings” are not even painted by the artist himself, but are inkjet prints created from Instagram screenshots. Is this art or is this copyright infringement? Prince is not new to legal controversy — he was sued in 2013 by photographer Patrick Cariou, who claimed Prince unrightfully appropriated his art. Prince came out of court victorious, which only added to his work’s caustic mystique.

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Digital Collages Of Justin Davies

"Fox and Internevean Vole," digital collage, 21 x 21 inches, 2013

“Fox and Internevean Vole,” digital collage, 21 x 21 inches, 2013

See this review published in SciArt in America

My senses always appealed to collage since I first studied Dada Art. Dada collage by Hannah Hoch and John Heartfield submersed a political foundation underneath its satirical facade. Davies continues the agency of Collage in his digital work which comments on 21st century urban sprawl. As Davies states, “I use collage to explore the idea of evolutionary dislocation that occurs when a species is abruptly ousted from its evolutionary context.” His artwork is very attune to what Un-Natural Nature is meant to explore: how our ever-changing world affects the living organisms that call it home. Combining a technological medium with organic subject matter, Davies imprints an image of a 21st century ecosystem to show how nature continually adapts to the man-made.

Read on for an interview with the artist that expounds on his scientific inspirations, what he thinks is so “Un-Natural” about nature today, and what “SciArt” means in regards to his work.

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Photographic Intrigue of Susi Brister

SusiBrister_Flora

“Flora,” archival pigment print, 44 x 44 inches, 2014

See this article published on SciArt in America

This article is part of the exhibition “Un-Natural Nature” curated by Danielle Kalamaras

Photographer Susi Brister recreates fantastical worlds usually kept secret in the realms of dreams. Her landscapes are filled with luscious fauna and through dramatic lighting and color enhancement, the everyday world becomes a sublime yet stoic scene. Taking center stage of these scenic worlds are aberrant figures draped with decorative fabrics and fully covered to the viewer as to not give a hint to the living organism beneath the dress. She dresses models in patterned textiles and fabrics to echo the natural world around them. As these playful figures mimic the world they are planted into, the photograph becomes a surreal montage that blurs the the line between the reality of the landscape and the fantasy of the rogue figure.

Read on for an artist statement by written by Susi Brister.

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Top 3 Cool Art Shows In Chelsea

See this review on Metro New York

The Chelsea Art Season is in full swing as unconventional materials take center stage. From repurposed junk to iPad drawings, ditch the usual painting show for 3 art exhibitions a bit more out of the ordinary.

David_Hockney_Arrival Of Spring

‘David Hockney: The Arrival of Spring’

Veteran artist David Hockney depicts the gradual changes between seasons in his home county of East Yorkshire. His personal affiliation to the landscapes — and his use of technology — uplift a trying art show about nature into an engaging experience. “The Arrival of Spring” at Pace Gallery is a tech-driven exhibition of iPad drawings and video installations. Monumental prints drawn from his iPad of quiet U.K. landscapes exemplify the artist’s signature gestural style and soft palette. The culmination of this exhibition is Hockney’s 9-frame video installation exhibited across a multi-screen 3×3 grid. Filmed with nine cameras attached to a moving SUV, frames comes together to create a visual journey of a changing landscape.

If you go:
Through Nov. 1
Pace Gallery, 508 W. 25th St.
Tuesday-Saturday, 10 a.m.-6 p.m.
Free to the public
212-989-4258; www.pacegallery.com

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Science/Art magazine “SciArt in America” seeks Blog Writers

sciartinamerica

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SciArt in America is a bi-monthly publication and online blog for science-based art news. The blog is the first page people see when visiting the website and is the main source for online traffic to SciArt in America. Our mission at SAiA is to bring awareness to the burgeoning field of science-based art, and blog articles reflect the broad themes of science and science-based arts.

Blog articles run 400-600 words. SAiA would like bloggers to contribute 1-4 times a month–you are welcome to create a schedule that works for you. If you are a writer in the arts and sciences, this is an opportunity for you to have your writing published online and reach over 1,000 SAiA newsletter subscribers, over 1,000 Facebook subscribers, and over 1,000 page views daily.

Visit www.SciArtinAmerica.com to see blog posts and learn more about SciArt in America.

As a blogger for SciArt in America, you will also be apart of our sister-organization the SciArt Center: a virtual platform that provides support and promotes cross-disciplinary approaches and interactions between the sciences and the arts. Visit www.SciArtCenter.org for more information.

Email your resume and 2 writing samples to events@sciartcenter.org | subject line “SAiA Blog Writer”

Henri de Toulouse-Lautrec exhibition at MoMA

Toulouse-Lautrec-MoMA

See this review published on Metro New York

The artwork of Henri de Toulouse-Lautrec (1864–1901), who seized the exuberant fin de siecle atmosphere of the Belle Epoque Paris, is currently on view in “The Paris of Toulouse-Lautrec: Prints and Posters” at The Museum of Modern Art. The exhibition — featuring over 100 examples of Toulouse-Lautrec’s avant-garde works — is drawn almost exclusively from MoMA’s permanent collection of posters, lithographs, printed ephemera and illustrated books.

Toulouse-Lautrec documents the cult of the celebrity and the rise of popular entertainment in his prints, posters and lithographs for magazines and journals. The exhibition is organized into five subjects: Parisian nightlife, celebrities, artists of the avant-garde, prostitutes and the daily pleasures of the upper class. The famous Moulin Rouge takes center stage in the section devoted to the rise of nightlife culture in France. Cafe concerts and dance halls come alive in Toulouse-Lautrec’s distinct style characterized by vibrant color and swift brushstrokes. His energetic approach arrests the star power of the famous actresses, singers, dancers and performers filling these venues — including dancer Loie Fuller and stage actress Jane Avril.

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